The "Postpaintings" series presents itself as a bold journey that transcends personal contemplation to address universal themes such as death and its impact on renowned figures in pop culture. The artist's choice to work on a large scale is not merely aesthetic but a means to immerse the viewer in a visual dialogue where each detail carries significance. By expanding the dimensions, the conversation between the artwork and its audience is also amplified, inviting us to a deep introspection on the presented themes.

The creative process behind these paintings is, in itself, a statement of intent. Starting with digital collages and evolving into oil painting, the artist criticizes how we consume and understand images in our digital age. These works are not merely static images; they are the result of a series of transformations reflecting how visual culture is manipulated before reaching our eyes.

In "Postpaintings," image manipulation—beginning with digital alteration and culminating in physical recreation on the canvas—serves as a metaphor for how images are constructed and deconstructed in today's society. By repeating and fragmenting visual elements, the artist challenges the way we typically accept the images around us. This series invites us to question the sources of these images and the intentions behind them, promoting a more critical understanding of how visual narratives can be used to influence and shape public opinion.

The series thus becomes a reflection on the power of the image in the modern era and on our role as consumers and creators of cultural iconography. The artist encourages us to look beyond the surface, to recognize the layers of manipulation that often go unnoticed, and to consider how our own perceptions are constantly being shaped and reshaped by the images we consume.